NG Salon and Tonsorial

NG Salon & Tonsorial NG Salon Tonsorial was created by Eric Norris as a way of bringing back the classic old fashioned barbershop to the modern world. Eric and his staff are established barbers with a driving passion and true respect for the art and tradition of their craft. He realized that there was a huge gap in the Columbus men's grooming community, and .as a result NG Salon Tonsorial was born.

BY: Scottie DeClue

Passion for the craft of Barbering is what drives Eric Norris at NG Salon & Tonsorial, and he is proud to share it with the people of Columbus. Eric spoke to SVM about the services they offer, his inspiration, and the most popular looks that clients are asking for.

Eric, tell us a little about your men’s salon and about some of the services you offer. Adding the tonsorial (latin for barbering) side started when a sales rep introduced me to a product line started by a well known industry pro back in 2011. After some research, I found myself diving deeper into the history of barbering, where it got lost, and how it was making a comeback in the UK and some of the larger cities in the US. I decided adding traditional barbering services to the salon would be a great way to share the lost art of barbering with men and women in the community who may have never experienced it, while bringing back a once dying craft at the same time. Currently we offer: Mens cuts - shear cuts, clipper cuts, fades, buzz cuts, flat tops, and all variations of modern cuts. All cuts include a shampoo, straight razor shave around the hairline, ear hair and eyebrow trim, and are styled as desired. Hot towel shaves for head and /or face - We do it the way your grandfather had it done! We have our own blend of essential oils we soak each towel in before placing them in the warmer with the perfect amount of moisture to prepare and soothe the skin before and after the shaving service. Beard Trims - Whether growing your beard out, or keeping it a certain length, this is one job that definitely needs to be left to the pros. We trim hair to the desired length, and correct shape. This service can be finished with a hot towel shave around the freshly groomed beard, or finished with trimmers that cut almost as close as a razor. As with a finished haircut, we add one of our quality beard oils or balms and style. We also offer nose and ear hair waxing services.

What inspires you the most when it comes to cutting hair and making hairstyles? I love to exceed customers expectations. This can only be done in my opinion through a thorough consultation to understand what your client desires, and what amount of time and effort your client is willing to put into styling their hair. Understanding bone structure of the head and face, as well as hair texture, hair stream, and whirls are equally imperative. When you focus on those elements, the clients reaction to their finished style is the ultimate inspiration.

Trends are constantly shaping our world. What do you think about the current trends in the salon business and among customers in terms of style? In this industry you see the latest styles long before they reach your shop at hair shows and in continuing education classes. In smaller towns,like Columbus, it sometimes takes a year or more before customers start asking for styles that have been popular in larger cities. For us as professionals who attend shows and continuing education classes, it's always fun to start cutting and styling the trends we’ve been watching for a while.

A lot of people are into beards these days. What is the best way to maintain a good looking, healthy beard? Your beard should be treated as good or better than your hair. Beard washes or quality shampoos and conditioners are the starting place for a great looking beard. DO NOT wash your beard with soap! Next apply a quality beard oil or balm, whichever is better suited for your beard. Pro tip, if your beard is very coarse and unruly, you're better off with a balm. Finally, just like your hair, your beard needs shaping and trimming on a regular basis.

How do you approach finding the right style for a client’s hair? What matters more: the client features or the texture of the hair? I believe the clients features come first, product can't hide bone structure. From there I would go to texture. Some styles just cant be achieved, or will be a very poor representation of the desired style if the hairs texture doesn't work with that style. This is also where the role of the right product comes in to play. If texture isn't too far off, the right product can achieve the desired hair style. I'll add one more factor not mentioned in the question pertaining to finding the right style for your client. A very important aspect that often goes overlooked is if your client is willing to put the time and effort into styling their hair. If they are not, even though they like it, it may not be the right style for them.

Old-school barber shops are constantly adding new-school styles to their portfolios. Are the old styles becoming unpopular?In other words, what drives innovation and creativity in the industry? The hair industry in general, for men and women, is a significant part of the fashion industry. Whatever is hot on the runway, will be hot in the salon and barbershop eventually. Some hairstyles, especially for men are timeless. Others do change with the times, but its circular. It's here today, gone tomorrow, but it will be back! When it comes back it will have a more modern twist, but at its core it has the same foundation. From your great grandfather's WWII flat top, Elvis’ pompadour, the Caesar, and reemerging mullett, they've come back and are coming back with a 21st century twist.

What’s the most popular look that clients ask for? Thankfully not the 2009 Justin Bieber hairstyle anymore! The most requested style asked for at NG is a fade. Whether from skin, shadow, or ⅛ of an inch. We do faux hawks, pompadours, comb overs (not creepy uncle kind), slick backs, and caesars styles, you name it we do it with the hair on top of the head. But 99% of the time the customer wants the sides and back faded. SVM

Southern Views Magazine. All Rights Reserved. ©

JULIAN PLOWDEN

By: R. Caligaris

Julian Plowden, former Jordan Vocational graduate and Columbus resident, is an artist that blends architectural photography and photojournalism into romantic photo scenes. Julian majored in Architecture, Neuroscience Education and Media Studies at Kennesaw State University where he developed as an artist while making his thesis portfolio. The “once-in-a-lifetime” photo moments he captures are meant to evoke feelings of “timelessness” and wonder. His style often incorporates lines, angles, parallels, precision and juxtapositions between buildings and people as a reference to his love of architecture and design.

Photography by: S. Saxon

Julian describes the feeling of taking a photograph as “forever in the moment”, nodding to the movie- like scenes which he has experienced. Drawing and drafting in Architecture heavily influenced his work. He feels like photography is a game of “Quick Draw” where he has a minute, maybe even seconds, to spot and capture a masterpiece. Pure fun. Julian’s award-winning work has been featured in The Louvre Museum in Paris, France, “Best of Atlanta,” NPR, Emory University MARBL Collection, Harvard University, University of Alabama and more.

How did your photography journey begin? I started school majoring in Architecture and I used The Coca-Cola Scholarship to purchase a camera to document my portfolio. After that, I let my natural inclinations take control.

When you were a student a Jordan Vocational here in Columbus, what did you want to do after graduation? Are you where you thought you would be now? I was really focused on going to college as first-generation college student. I was adopted at 2-years-old, so I've always tried to plan my dream life and family. To be honest, I think if the education system was better handled I'd be farther. I've been disappointed in the inequity I've noticed, but I still can say I'm happy. I just want to make ways for other students.

Can you describe your style? Yes and no- the reason why is because I aim for aesthetics at times, like the idea of "time travel", which often comes across in my photographs, but I also may apply architectural composition specifying how I compose a subject against an environment. When you add it up, there are many layers of analysis that keep a viewer coming back, like "Why did he put that shadow there?” and how you unconsciously view a photograph for its sense of beauty. I play with motifs like this so my photos may even seem like a collage of ideas...well, to me at least.

Are there any photographers who have influenced you? I'll name some you may know and don't know for fun: Deborah Willis for her scholarship and wisdom, Faisal Mohammad for his risks, The great Henri-Cartier Bresson for his philosophy, Robert Frank and William Klein for pushing the genre.

How has Columbus influenced you? Columbus has made me more observant in a different manner- It's not like Atlanta where I've done most of my work and there aren't many tall building backdrops or crevice alleyways. Instead, I have found joy in composing the seemingly mundane. I surprise myself often by how I can turn "little big town moments" into fine art.

What's the best thing about photography? Feeling like you're in a movie...but I guess movies are based on real life....so making myself feel more alive? Discovering the joy of the unknown and unexpected through vision.

Which living person(s) do you most admire? Another tough one, I only want to give an answer that matters so I'll say the MIT Media Lab founder Nicholas Negroponte, John Maeda, Mayor Michael Tubbs and Stephen Colbert.

Tell us about the role of social media in your career? I could do a movie about social media; from going viral for my work, to being targeted online afterwards by "Russian spies", but mostly I'll say it's been a double-edged sword. I've connected with literally MILLIONS of people by now through social media virality, but it can be hard to see how it affects you immediately until one day you get a call and your photos are showing up somewhere in Paris on a friend's computer. Or I'm being called by a gallery in Los Angeles. It's not an overpowered tool though, more like a mystery bag that you never know what you'll get out of once you put something in....it's fun for sure, and nerve-racking at the same time.

What is the moment you are looking to capture when you are shooting protest photography? Something that I want to specifically remember or convey to someone else later. In 100 years, people may never know what you thought or what you said unless you recorded it somewhere, and photos feel like I'm snatching pieces of reality and making reality, in a historical sense, at the same time. I don't try to stick to a motif or signature, but I'm always trying to have fun and evoke emotion.

What is the most difficult part of shooting protests? Predicting where the action you want to capture will be and sometimes even having to choose between those fleeting moments when many possibilities are there.

The colors in your images are often muted and reminiscent of images from the 60s – how does this stylistic choice impact your work? I think the dominating feeling would be "reflection" because I blur the line between what is expected. It's like a vague feeling of missing something and familiar- ity. It may evoke thoughts of history, time or even other artists like Norman Rockwell.

What do you aim to express through your photography? Design Intelligence. I just want a better designed world.

What advice would you give to photographers who are just starting out in this genre? Compare yourself to the masters, research and cultivate your interests.

What are you focusing on right now, in your work and photography? I could say a lot here, but I'd summarize it by saying that I'm focusing on connecting with those people who're pushing the boundaries of art, innovation and technology.

Trevioli Italian Kitchen

By: R. Caligaris

Trevor Morris focuses on simple, quality ingredients and traditional preparation methods. This simplicity and Trevor’s great care for his craft are what set Trevioli Italian Kitchen apart from other Italian restaurants in Columbus.

Trevioli’s location in Blackmon Road makes it a popular neighborhood hangout. The contented crowd remains at the bar as happy hour blends into dinner time. They may stay for a while and perhaps order a portobello ravioli to share, or ask for a table and settle in for a full meal. There seems to be no hurry to move on from this warm, mellow spot.

This month we sat down with Chef Trevor Morris to talk all things pasta. We found out where Trevioli got its start, what it’s like to be an Italian restaurant owner, and which are the most popular pasta dishes you can find at Trevioli.

Can you tell us how Trevioli got its start? Trevioli started in a storage unit off of Veterans Parkway in 2013. For the first 6 to 9 months we were a pasta shop. Which means getting approved by the Department of Agriculture. We started our own business because we were tired of working and supporting the corporate life. We wanted to create a business that appreciated their employees and helped make Columbus a better place to live.

How did Trevioli get its name? Trevioli is a combination of Trevor and ravioli. I thought it was dumb at first, but my brother who is an online marketing guru, said google it, and nothing came up. "You’ll be the only trevioli on the internet" he said. So we went with it.

Tell us about how you got started in the restaurant industry? I started in the restaurant business 20 years ago, in a corporate restaurant outside of Chicago, called Max & Ermas. I didn’t realize then, but you have to be a special type of person to survive in the restaurant world. I have tried to get out several times, but it’s like this is what I’m supposed to do. I’m not good at anything else .

What are your most popular pasta dishes and why do you think they’re so highly regarded? Tortellini and portobello ravioli will likely always remain on the menu. We slow roast mushrooms, use the best ricotta and Parmesan, and roll the pasta out and hand make them. The gnocchi is seasonal, and we always try to pair with something local. The chicken Alfredo and spaghetti I know I can’t take off the menu without getting in trouble.

What’s the single most important thing about pasta cookery? The single most important thing about when cooking pasta is salt. Salt your pasta water like the ocean. When it’s time to pull it from the water, reserve some for sauce, dump the pasta and oil it hot, spread it out to cool. Don’t put oil in your water, don’t dump it into ice water, and if you do rinse it, get it out of the water quickly. Trust me.

What attracted you to open your new location in North Columbus? When my business partner, Sanjay, said I have a building for the new location, he took me over there and we walked in. It was a roof with dirt floors. I said, “ Cool, what’s it going to look like?” He said “ Here's a piece of paper, draw the new Trevioli and give it to the contractors.” It was one of the most amazing moments of my life.

Italian cuisine is still so popular in Columbus and around the country. Do you think diners’ attitudes and expectations have changed over the years? There are tons of articles written about the changes in the restaurant business. From the style of food to the complimentary service. Look at the farm to table initiative. While it’s a great idea in theory, 100% farm to table is just not possible. There aren’t any salt farms around here. So if you plan on having any seasoning added to your dinner, it will come from somewhere else. That doesn’t mean don’t try. As 2018 was a complete blur in retrospect, somehow my wife and I acquired 3 acres in Harris County. I’m no farmer, but you bet I’m gonna try. Also, expectations have changed. Try to survive in the restaurant business with no social media platform, no website, without some sort of delivery service, vegan options, gluten free, free WiFi, space for pets, eco-friendly straw options, and sustainable farming and fishing is just not possible.

What are you most proud of as a business owner of Trevioli Italian Kitchen? For me, it is not the food. It’s not the great reviews. It’s the community service that we have put forth over the years. We have opened up and donated to the less fortunate, collected shoes, donated to your kids baseball, dance, football teams. Mark Jones day. Discounts for administrators and their assistants, the military, the police.
We work with the second chance networks and give jobs to people who have felonies and can’t get jobs elsewhere. We teach students what this industry is about.

My favorite ones are the ones that aren’t broadcasted. The ones where someone calls and says, hey, we have a small church can you donate something? And we feed 50 people on a Sunday and after that Sunday it’s forgotten and not talked about because that one was between Trevioli and God. While we can’t donate to everyone, we certainly do try. Trevioli in some ways is a 501c3 disguised as a restaurant

THE INFATUATION'S - WILL KAMENSKY

To write a long winded critique of a restaurant takes time, effort and the ability to look at things objectively, but with one catch — to garner any type of credibility, one should have the ability to assess quality. Columbus' Will Kamesnsky has that. BY ROBERTO CALIGARIS

Food critics play an important role in analyzing food and restaurants and then publishing their findings with the world on a public forum. Will Kamensky, former Brookstone graduate, is a food critic for The Infatuation in San Francisco, CA. The Infatuation, founded by Chris Stang and Andrew Steinthal, is a website, app, newsletter, and recommendation platform designed to help you find the perfect restaurant for every situation. Their restaurant reviews and guides are all written by a small group of highly trained, highly opinionated writers and editors. SVM spoke to Will about his beginnings as a food writer, people's love for food, and the latest restaurants trends.

You are a writer in San Francisco for a successful restaurant discovery platform, The Infatuation. How did you get started as a food writer? Writing about restaurants is something I never imagined myself doing for a job, but I always loved food growing up thanks to my grandmother, Frances Kamensky, and my mom who are both incredible cooks. While I was at Tulane, a great chef took me under her wing, and taught me more than I could have ever wanted to know about food, cooking, and the restaurant world. Even then, food mostly remained a hobby until about a little over a year ago. I was living in San Francisco working in blockchain technology, and was looking for a different opportunity. The Infatuation was something I had used for years, starting with a vacation I took to New York City in college - a friend refused to give me restaurant recommendations and instead demanded I use this website, that at the time, I had never heard of. A few iPhones later, The Infatuation was one of the only apps that stayed with me aside from Words With Friends and Spotify, so when the application ended up in front of me, and experience as a food writer was not a necessity, I knew I needed to apply.

Has writing about food changed your relationship to it? Is there always a voice in your head critiquing what you’re eating now? No, I really don’t think writing about restaurants has changed my relationship with food. One of the things that I love the most about being at The Infatuation is that we’re not supposed to embody some kind of “food critic” character with a clipboard full of check boxes - we’re encouraged to write about restaurants the same way we would tell a friend about our experience. So much so that at the beginning of most reviews, things start off with my editor asking me, “Hey, how was dinner last night?” - the same way I would to someone who had just eaten somewhere cool - and then we go from there.

Restaurants had a lot riding on you as a food critic for The Infatuation. Have you ever felt bad about lowering the boom on a place? We write reviews like we’re helping our friends and families find places to eat they’re the ones who stand to gain or lose the most by eating at a restaurant they don’t know yet. If there’s a restaurant that someone would arguably go to that I don’t think they should spend their money at, it’s a no brainer to warn them of what they can expect to find.

You are a Brookstone graduate and now living in San Francisco. Does your siteblog only feature restaurants from the Bay Area or does it include other cities as well? The Infatuation actually started in New York, and we cover cities from Seattle to London and many in between. We also have travel guides in cities from Nashville to Sydney to Paris. That being said, we’re still expanding. Our most recent full city launches include Philadelphia, Boston, and Atlanta, so I’d highly recommend that if anyone is heading up to Atlanta they should download our app and check us out. People are getting really into food.

There are all these gastronomical blogs out there and people are watching from Anthony Bourdain: Parts Unknown, Bizarre Foods with Andrew Zimmern, and Chef’s able on Netflix. What is going on? Way too many things to count, but I think people have always deeply loved food, otherwise we’d be sitting around eating unsalted porridge and wouldn’t think twice about it. Food gives people a way to to travel, connect with their past, build relationships, show where they’ve been, and so on. Technology and media have been great for people who love food because it’s created an outlet to tell their culinary stories to a wider audience, and give others the means to learn more about the world around them.

Infatutaion founders Andrew Steinthal and Chris Stang.

What restaurant trends are you noticing right now? Food trends change wherever you are in the country. Aside from being obsessed with fancy pastas, San Francisco restaurants love to highlight whatever’s in season right now, so when something like sugar peas are here, you can count on seeing a lot of sugar peas everywhere you go. One that has been picking up nationally is this kind of 1950’s nostalgia - people digging through their grandparents’ recipe boxes. Places that serve things like fancy burgers and pie are popping up everywhere.

For years, food critics were anonymous and went into restaurants unknown. Some still do that, some don’t. Some let restaurants know they are coming in and call ahead. What do you think is the best or most ethical way to review a restaurant? When we’re writing a review at The Infatuation, we use aliases to book tables and we pay for everything we eat. If we got special treatment and wrote about it as if that was what everyone could expect, our reviews wouldn’t translate to actual diners’ experiences. The aliases keep everyone honest. Plus, it’s fun to come up with fake names to use like Tyler Butler or Constantine McEnroe.

Where do you shop for food and do you cook at home? I pick root vegetables from my illustrious backyard plot on a daily basis with my dog Bentley at my side. Not really, but I absolutely do cook at home. Not as much as I used to because half my job is eating out, but I try to get people together every week or so to do something big and fun like frying chicken, making a huge pot of gumbo, or setting up a tortilla factory in my house for taco night. As for the shopping, I get most of what I need from places like Safeway, but if there’s anything specific I need, I’ll go to a butcher or the awesome farmers’ market in the San Francisco Ferry Building every Saturday.

When you visit Columbus, your favorite place to eat is: My parents’ kitchen table. Aside from that, Columbus has changed a lot since I graduated from high school in 2012. Every time I’m home I hear about what’s new and what’s changing, but you can still count on finding me at Dinglewood with my friends at some point, Chef Lee’s is always a go-to, and if I’m downtown running errands, I’m either at Uptown Vietnam Cuisine or picking up Smokey Pig with my brother and sister. There also aren’t any Waffle Houses in California, so it’s tough to not end up there once or twice.

SVM. Southern Views Magazine. All Rights Reserved.©

KURT PETERSON

Kurt Peterson, a renowned Broadway musical theatre star and producer, comes to Columbus to accept the Columbus State University Lifetime Achievement Award in dance during the 3rd annual Broadway Ball. Peterson got his start playing Tony in the Bernstein and Rodgers revival of West Side Story alongside Columbus, Georgia hometown star Victoria Mallory. Now, his company, James Williams Productions, produces theatre performances all around the country, including the premiere of his latest work, Proud Ladies, which debuted at The Springer Opera House in August. 

By SCOTTIE DECLUE 

Kurt Peterson began his Broadway career when Leonard Bernstein and Richard Rodgers chose him to play Tony in the revival of West Side Story at Lincoln Center. He then starred opposite Angela Lansbury in Dear World and created the role of Young Ben in Stephen Sondheim’s Follies. On his interview with SVM, Kurt talks about how he started in show business, her working relationship with Victoria Malloy of Columbus and his planned visit to the 3rd. Annual Broadway Ball on November 30th. 

You launched your Broadway career in New York City playing Tony from West Side Story, and now you have your very own production company – James Williams Productions; what can you say about that journey? What was it like starting out? It all started with my first musical, Finian’s Rainbow. I was a little kid in Stevens Point, Wisconsin, and I went to see this performance called Finian’s Rainbow at the local theatre, and It was just transformative. I’ve heard this from some many other performers, that if you have that gene in you and you go see a show, it clicks. And something clicked in me, and I knew I wanted to be a part of it. I think I was painting scenery sets the next day. Starting out, I didn’t really know if I had any talent, and I remember going down into my basement and putting on some old show albums and dancing and singing. I guess I worked up some courage because soon after, I auditioned for the high school musical, The Boyfriend. I got the part and did the Charleston as Bobby Van Heusen, and that was my first role.At that point, there weren’t a lot of musical theatre schools around the country, and you had to go to New York if you wanted that option. Well, I was working this show later on and, this performer from New York had a role in the musical, and I remember he had this brochure for the AMDA, which is the American Musical and Dramatic Academy, and he gave me that brochure. I kept it, and a year later while I was on a school trip to New York, I snuck off and grabbed a cab ride to the AMDA and went inside.I remember people singing, and I just sat there for as long as I could, taking it all in. It was incredible. I took a summer course there shortly after, and I told my father not to worry because I would still be going to the University of Wisconsin to study chemical engineering, but you know I didn’t. I went back to AMDA, and that led to West Side Story, and meeting Victoria Mallory, of course. West Side in New York was a big break for two unknown kids from Stevens Point, Wisconsin and Columbus, Georgia. I was really working with the theatre giants.

Speaking of giants, you’re most recent production, Proud Ladies, featured some musical legends at the premiere in the Springer Opera House this August. You used multimedia to bring these performers back to life. What inspired this? So, back in 2014, Vicki and I did a performance at the Rivercenter called Concert with Comments, which was really a book musical based off the story of our lives. The whole back of the stage was covered with pictures I had collected throughout the years, which kind of told mine and Vicki’s story. With Proud Ladies, the concept was the same, but I thought, if we are going to tell the story of these ladies, why not have them appear on stage again. And how great was that… having Vicki on stage again. And The Springer was really tremendous in helping us put the show together, and they gave us a week of technical support that was really invaluable. And it was wonderful to share, in a way, the stage again with Vicki. 

How did the show go? The show went very well, and the audience was wonderful. Each story in the show has this resonance and an important lesson, and there was this great universality because the lessons I was taught by these ladies were lessons that I could share with the audience. In the best memoir pieces, the audience feels that it’s pretty much about them. If I can get that feeling over to the audience, then I know I’ve done what I was supposed to do. I think we were really able to do that. My stories triggered stories in the audience about the great teachers, and angels, and lovers, and important figures in their lives. 

Speaking of memoir, your longtime friend and stage partner, Victoria Mallory, was a hometown star in Columbus. What was it like working with Victoria? You know, we just recently celebrated the fourth anniversary of her passing, and I started getting these letters about Vicki. I have this box that’s filled with letters about how Vicki impacted these people’s lives, about how she was one of the most sweetest, endearing, and generous, and beautiful women they had ever met. So working with her was the exact same thing. It was an absolute joy. I was always so enamored with her because of her talent. She was playing piano at two, singing at three, and dancing at four, and she had this incredible confidence about herself that was such an inspiration for me. When we were able to reconnect during our performance at the Rivercenter in Columbus in 2014, well that was just an absolute joy.

The Columbus State University theatre department has invited you to the 3rd Annual Broadway Ball on November 30th. How did you come to be involved with this event? When plans were being made for Proud Ladies, Patty Taylor, who is sort of championing the dance program at CSU, saw I was coming and wrote a letter to me asking if I would be honored at the event. Patty danced with Vicki as a kid, so there was that connection also. Of course, I immediately said yes. I guess it was just part of that connection I feel with Columbus, with the Springer, and with the Rivercenter. And now, I will have a connection with Columbus State University –I’ll get to have a connection with those students. I remember the summer of 1966 with Vicki, and I think about how, at a young age, we were so in love with the art, and it just does my heart a lot of good. I really want a chance to talk with these students and give them some hope and inspiration.

Your production company has the Voice Studio, which has been a musical home for many talented students and teachers throughout the years. What impact do you feel the studio has had for people? The studio was originally and off-shute from the work I did with one of my great teachers, Paul Gavert. In the 70’s, all of Broadway began to study with Paul. I began teaching with Paul in 1975. When Paul passed away, I had this idea that I wanted to make a home for other teachers as well, and so then the studio expanded, and now we have people all the way at the top and people who just stepped off the bus.There’s this incredible energy. Now, we have 13 studios, 25 teachers, and over 300 students. And the teachers are all from specialties in different areas of performance. It has just got his life of its own, and it keeps growing. Of course, there is also the economic advantage, because, as you know, producing doesn't always produce, and not everybody makes a fortune in the theatres.

Maybe they need some inspiration to go see a show. Why theatre? What might you say is the most important aspect of theatre and stage performance? Why theatre? Well I guess there’s two ways of looking at it: there’s the aspect of performing in the theatre and being a part of it, and then there’s the aspect of being an audience member and viewing it as a fan.From the performing and producing aspect, it’s about being alive. And you’re never more alive than when your on stage and focused, and you’re never more alive than when you’re in the creative process of making something beautiful and important for the theatre and speaking with a voice. On the other side, as an audience member, I think it’s the same thing. As an audience member being connected to what's happening on stage, you feel more fully alive. It allows you to experience those emotions. The theatre gives you that. It gives you stories. You know, we’re all built to love stories in our conscious and unconscious life. So I think it's a wonderful dance between the man in the cave telling the story and the people sitting around the fire listening to the story. 

So what story are you telling around the campfire next? What’s coming down the pipe? Well, you know, Proud Ladies has been keeping me pretty occupied at the moment, but there is another thing that I’ve been working on. About ten years ago, Vicki and I started working on a book musical, and we had to put it on the shelf when we did our concert, but there’s a brand new musical I’m working on called Dancing on the Moon, which is based on our story. It goes a lot deeper than our concert did. It’s a six character performance. We’ve done some readings on it, and now we’re gonna try and get it out next year on the stage.

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MICHELLE BLANCHARD: 2018 STEEPLECHASE DIRECTOR

David, Bo, Mae, Evans, and Michelle Blanchard

Since its inception, Steeplechase has maintained its position as one of the largest and highest-earning fundraisers in the area and has raised more than 4 million dollars since 1985. Drawing crowds of more than 10,000 attendees annually, the event provides a uniquely Southern race day experience and is steeped in tradition, class, and fun.

By Scottie DeClue | Photos by A. Caligaris

Yes, it that time of year once again, and the decades-old tradition that is Steeplechase is finally here. For the thirty-fourth year in a row, this equestrian race day fundraiser is expected to draw in thousands of people who are eager and willing to get that Southern culture kick. Steeplechase is a challenging feat in terms of logistics, and behind the wheel of all that coordination is Steeplechase Race Director Michelle Blanchard. SVM spoke with Michelle about the details of the job and what racegoers might expect from this year’s event. She shared that there will be old traditions, as well as some opportunities to create new ones. One thing’s for sure... whether it’s sporting your most extravagant hat, breaking in your new pair of boots, kicking back with friends to watch the race, or collecting the big purse, there is something for everyone at this multifaceted event. Front gates open for ticket holders at 10 a.m. on the first Saturday of November.

Mason Lampton and his father Dinwiddie Lampton founded the Hardscuffle Steeplechase in 1974. Often referred to as the“Kentucky Derby of Steeplechasing,” this has been called “glamorous, picturesque, and prestigious.”

Race director is such a unique opportunity.Where did you find the inspiration to take on such an esteemed role? Serving as the race director has been a terrific opportunity for me, and I have thoroughly enjoyed it. It was presented to me as a fun-filled, low-stress volunteer position, and that is exactly what it has been thus far. I am honored to have been asked and thankful I said yes!

What are your big plans for Steeplechase this year? In other words, what can this year’s racegoers anticipate or look forward to that might be different from previous year’s races? We have lots of big plans for Steeplechase 2018. New this year is our partnership with Southern Living, and we are thrilled! They will host a wonderful party on friday night at The Lodge and Spa at Callaway that you do not want to miss. Elizabeth Heiskell, a.k.a. The Debutante Farmer, will be there for the debut of the new and improved best selling 1972 cookbook. On race day, Sid Evans, editor of Southern Living, will be there serving as a judge for the hat contest. Also new this year is the Liberty Utilities Hunt Club. This is a great, all-inclusive area that provides a casual V.I.P. experience for attendees. Admission tickets are $150 each, and the perks include a catered lunch, wine and beer, and live music by Neal Lucas. We also added a new, exclusive caterer in Callaway Gardens. Country’s, EPI© and It’s Your Day catering will be back again this year as well. These great additions will certainly add to the success of the Steeplechase.

Tell us a little about your responsibilities as race director and what all goes into getting ready for the big event. Since partnering with Outdoor Events, the role of the race director has changed a bit. Outdoor Events serves as the event management team and the race director serves as the main enthusiast for the event. In other words, I get to enjoy recruiting and supporting our wonderful volunteers –thank you all for saying YES– as well as reaching out and encouraging our community to come enjoy the event

Steeplechase is known for its traditions. What are some of your favorite traditions about Steeplechase, and why? I love seeing families and friends come together and enjoy a beautiful day. I adore seeing the children running around and enjoying the Kids Corral and the Jack Russell Terrier race. I always love visiting the Vendor Village and seeing all of the beautiful items. I do love a good hat, so of course I love seeing all of the creative hats in the hat contest! These traditions really bring our community together as one, and that is truly a gift that not every community can claim.

In your words, how does Steeplechase embody the culture of the South? The Steeplechase embodies the culture of the South in every way possible –it screams Southern culture! As Southerners, we love to gather and visit with family and friends while sharing a meal, all the while enjoying some sort of sporting event. The Steeplechase offers all of that and more. It truly is a perfect Southern day!

Steeplechase is a great benefit to entities in the South. How can those entities expect to benefit from this year’s event? The Steeplechase has been racing for the arts since 1985. Since that time, over $4 million has been donated to six fantastic beneficiaries that all enhance our community. The beneficiaries include RiverCenter for the Performing Arts, Columbus Museum, Columbus Symphony Orchestra, Springer Opera House, Historic Columbus Foundation, and Ida Cason Callaway Foundation. It is such a joy to present the money to each of these entities knowing that our community benefits greatly from each organization.

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Midtown Living

When artist Katie Jacobson moved from Colorado back to the Midtown area of Columbus in 2017, she took her chances. But like many creative people here, she fell in love with Midtown quicker than her Subaru Outback could make its 2.9-mile trek around downtown. There is just something inspiring about Midtown - the glamour of its architecture, its history and of course the arts. By Marla Caligaris Photos by Eliza Morrill Photography

There are many things to love about Midtown. It is home to the Columbus Museum, it is very dog friendly, and it features stunning historical homes. SVM interviewed artist Katie Jacobson about what made her decide to move back to Columbus Midtown, how her new home reflects her art, and what are some of the spaces around the city she likes to visit.

When did you first know you were an artist? Drawing and painting has been something I have done since I could hold a paintbrush. My family was always so supportive of my passion in art since I was very young. They were always giving me art supplies for my birthday and Christmas, and signing me up for all the summer art camps available in our area. Painting and drawing is something that just came natural to me. My junior year of high school was when I had the a-ha moment of ‘yes I am going to pursue this.’

What are the most interesting new trends in your field? I don’t know if I would call it a trend, but something I’ve been noticing and also working on within myself is speaking truth. Instagram is a huge platform for us artists, and with social media I think there can be a disconnect. You know, it’s really easy to see and post beautiful photos, and there is something to be said about people who share experiences, challenges, and personal insight. It shifts looking at beautiful photos into actually having a more human-like connection. When people share more about their story, it deepens a connection to their art they are sharing.

How does your home reflect your art? I love eclecticness and color. Every painting I do has a story and the same goes for everything in my house. One of my favorite past times is thrifting, especially when I travel. My furniture, décor, and the art I collect is something I like aesthetically while it also has a personal meaning and experience. Color is definitely a big element in my paintings, and if you walk around my house, you will see the same pops of color in my décor. Color is energizing and warming. The same goes for paintings. I want to create work that inspires people and makes them feel warmth.

You decided to move from Taos, New Mexico to Midtown Columbus recently. What attracted you to this area? I grew up in Columbus, and no matter where I was living around the US, this has always been home. I was not sure when or if I would ever more back here, until I came home this past Christmas for an art show. I had an overwhelming feeling of “I don’t want to leave, this is where I need and want to be.” I started manifesting this idea of moving home, and lo and behold, my favorite house in Columbus was the first house that popped up. I am a big believer in signs, and there were so many signs leading me to this house. There is a really cool energy I am feeling in Columbus, and there is a strong community. It’s really inspiring and I am really excited to be back here.

How did Brookstone School’s Art department help you develop into an artist? Hands down, the teachers were a huge influence in my art. I walked into Sally Bradley’s class my junior year, and ever since that first drawing I did in her class, I knew art was what I was going to pursue. I was not a straight A student. I struggled with math and science. Having Sally’s encouragement in my art, gave me the confidence and excitement that I needed to pursue it. When I was in college, I even brought back my first commission which was a child’s portrait to get her advice and critique. It was that mentorship and encouragement that changed everything and began the path of me becoming an artist.

As an artist, what art spaces around the city do you like to visit? We are so lucky to have the Bo Bartlett Center. Every time I go there I am blown away and beyond inspired. I am so excited to attend all the events and see how it grows and impacts our community. The Columbus Museum is another great art space in Columbus. They are good about having events and giving grounding to the art community. There is a solid group of artists here in town, and one of my favorite things to do is go to art shows and open studios.

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Dr. Joseph Arnold D.D.S

Your smile is your brightest feature. Keep it in tip top shape with the help of Dr. Joseph Arnold
D.D.S, a graduate from the University of Oklahoma School of Dentistry. He has served Columbus,
Phenix City, and Fort Benning for the last 15 years. 
By Andrea Hayes

How long have you been working in the dental field?                                                                      I have been a dentist for 24 years. I came to Columbus in 1990 after graduation from dental school at the University of Oklahoma College of Dentistry. I purchased the dental practice of Dr. David Weise who practiced in Columbus for approximately 30 years.

When did you first decide that you wanted to be a dentist?                                                           I decided I wanted to be a dentist in the summer following my freshman year in high school. My family had relocated that summer from one side of Oklahoma to the other. My mother was a school teacher and my father was a firefighter.
The only people I knew in the town were my relatives. Checotah, Oklahoma is very small, just ask Carrie Underwood. It happened to be the case that my cousin had just graduated from dental school and he was building a new office two blocks from my house. I spent the summer
watching the construction and installation of the dental equipment. I found it fascinating. I had never had a cavity and dental visits were pretty boring.

What are some of the most common procedures you perform in your practice?                          In my practice I perform many different types of procedures. I do a lot of crown and bridge reconstruction. Basic restorative procedures like fillings and cosmetic bonding, dentures and removable partials, porcelain veneers and implant restoration. I utilize the team approach to
some of my dental procedures. I feel that the specialists in dentistry allow me as a general dentist to provide comprehensive care. You never want to be a jack of trades and a master of none. Wish I had come up with that quote.

What are some of the different types of procedures you offer?                                                One of my favorite procedures is helping patients with replacement of missing teeth when they thought they were out of options. Technology has progressed to the point that the success rates for dental implants is very predictable. This is one of those times that I can refer my patient to a skilled Oral Surgeon or Periodontist and together as a team we can achieve excellent results thanks to better diagnosis and treatment planning with technologies like Cone Beam CT. How do you like to spend your free time? I spend my free time with my family, at the lake, or doing yard work. I have been blessed to have 6 terrific children. To watch 5 them grow into wonderful young adults makes me happier than I can put into words. With only one child left at home I might have time for a few more projects around the house when I'm not being a Cheer Dad

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Mollie Jenkins

Mollie throws clay on a wheel in her shop.

Ceramic artist Mollie Jenkins reminds us that the best form of art in our daily routine can be found working with clay. She loves this art form because it is a very direct process where she works with her hands and sees and feels the shapes and forms come together in front of her.

By Lizzie Flournoy | Photos by S. Saxon

For the last several years, former Brookstone graduate Mollie Jenkins has been focused on developing a body of work that would bridge her from college to a professional path of ceramic artistry. Her formal education allowed her the opportunity to develop strong relationships with peers and professors ultimately influencing how she approached ceramics. Despite all of the support and guidance she received from her education, nothing could have prepared her for the abundance of lessons she learns on a daily basis while running a business and a studio.

Tell us a bit about how you found your way towards pottery. How did you get into it, and what were your first pieces? I first took a ceramics class at Brookstone senior year of high school, and at the time, I did not think much of it other than I really enjoyed throwing on the wheel. From there, I graduated and went o to school at the College of Charleston where I postponed declaring a major for as long as possible- at the time there was no way I knew what I “wanted to be when I grew up.” During the end of my freshman year, I decided to transfer to a school with a ceram- ics department. Upon deciding on Auburn that summer, I took a class back here in Columbus for wheel throwing, and from there on out, I was certain that I wanted to pursue a degree in ceramics (and potentially a livelihood). I began making bowls and mugs to start and later went onto plates, larger serving bowls, and lamps.

Where did your passion for ceramics come from? My passion stems from the functionality of the finished product mixed with the creation of each product. In the start of the process, I love that I can mold a block of clay into some- thing that later turns to stone and can be used day in and day out for years to come.

What is the process for making your ceramics? All individuals have varying steps to their respective ceramics process. For my work, I start with a block of brown clay, put it on the potter’s wheel and throw it into the desired form using the force of my hands and water. For all items except for lamps, I cover them to dry for a day or two. From there, I revisit each item, wire it off of the throwing surface, and then put it back on thepotters wheel to trim the bottom. Trimming is just to clean up the bottom while creating a foot, where the vessel rests on the table. If the item requires a handle, at this stage I pull a handle from an oblong piece of clay. The handle will then dry for a few hours and be shaped again, then the handle is attached to the vessel and they slowly dry together. From here each item is red in the kiln for about a day, then the glaze color is applied, and once dried, the piece is red for the second and nal ring.

How important is social media to you? Do you think it’s going to be a big part of how you sell your products? Social media, at this point in my career, is crucial. It is an irreplacible way to advertise my product and reach customers who, otherwise, I would have great di culty reaching at this stage. It also al- lows those who are interested in the process or the behind the scenes of ceramics to get to know me and what goes into my work. I think it is crucial for folks to be able to see that more goes into these products than the mass produced items they are used to.

Most ceramics off the shelves are made from smooth clay or delicate porcelain. What material do you prefer to use? I love using the brown clay which most of my wares are made of. This clay has some grog (sandy material in it) which allows me to be able to shape it on the wheel as needed. This clay alsonishes to a warm tan with speckles in it, which I love.

What attribute do you feel best characterizes an excellent piece of pottery?Functionality. For me pottery should be functional to the point of being able to use it everyday as well as growing to love it throughout the use of the item.

Was there a point in your career that you made a decision to sell your ceramics for a living? Could you describe how you came to that decision? For me, I kind of grew into the selling of my work. In school at Auburn, I participated in a few shows where my family was nice enough to come overto purchase my work. I was so amazed after that rst show that anyone wouldwant one of my creations. Thank goodness. Now, strangers are buying my work too.

What, in particular, do you want your finished projects to express? As mentioned above, everyday use. I have folks who will let me know that the mug they have of mine is their favorite and they use it everyday. For me, there is no greater compliment that someone would want to spend their day with an item I have created.

What current trends are you seeing in ceramics? A lot of people working with ceramics are going for a more minimal look, as that tends to be an ongoing fad these days. This includes fewer or no handles and white everything. I prefer the speckled nature of my clay and the variation of my glazes too much to go this route anytime soon.

What kind of environment do you like working in? In the studio, I have music going all day, or I like to listen to podcasts, but right now music is my go-to. If it is nice out, I will have my garage door open. I prefer a relaxed work environment so I don’t get too stressed day in and day out with all of the to- do’s of running a small business. 

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Garry Pound

GARRY POUND Since 1980, artist Garry Pound has been creating some of the most remarkable oil portraits in the southeast. With a heavily artistic background that spans many mediums, he is one of Columbus’ artistic gems.

By Kaleigh Blessard | Photos by S. Saxon

Columbus is lucky to have a thriving art scene. From the Springer Opera House to the Schwob School of Music at CSU, artists from every discipline can find a home surrounded by supporters, benefactors, and peers. Garry Pound is one of Columbus’ most notable artists, and some of his most recent portrait work can be seen on display now at Fountain City Coffee. This issue, we had a chance to talk with him about his passion for creating art.

What do you consider to be the biggest influences on and inspiration(s) for your artwork? The things that provide my inspiration (in no particular order) are family, community, travel, art, and artists. Without bias, I can say that Barbara Gordon Pound was my greatest inspiration. She was a world-class draftsman and painter. She had an innate sense of design and structure. Her taste was unimpeachable. I blame myself and my brothers for keeping her from reaching her full potential as an artist. Growing up, I remember her constantly drawing and writing and reading, making connections, finding relationships, striving for an awareness and appreciation of the world around her.

How did you know you were meant to be an artist? I grew up in an “artistic” environment. Art supplies, painting and drawing, museum visits, visiting artists—all this was what formed the background of my childhood. It was like the air I breathed and I did not think it was anything special. I was too busy being a kid and hanging out with friends to give art much serious consideration.

When the time came, I picked a small liberal arts college, Sewanee, which had a good academic reputation; I signed up for pre-med courses. Knowing I had a little talent, and almost on a whim, I also signed up for a beginning drawing class. Art was what I was going to do for the rest of my life. I dropped all my pre-med courses, took as many fine arts courses as I could, and the rest is history.

What would you say is the highlight of your career—what’s been your favorite project to work on? There have been things over the years that have given me satisfaction. Working with Allen Levi and Ron Anderson on the children’s book and play Oliviatown was, quite simply, a joy. I was proud of the work exhibited in my recent show, “Happy Are the Artists”, at the Bradley Company Museum. But you know, I am fortunate in that the highlight of my career is an ongoing thing. The next successful drawing or painting will be the highlight that matters. What I love is the work, being creative, getting in the zone, creating relationships, putting marks on paper and canvas.

Do you think your art would be different if you had grown up in a different city? How has Columbus influenced or shaped you as an artist? Until recently, it was almost unthinkable for a child of the Deep South to grow up and make a living as a fine artist in his own community. Emerging artists went elsewhere. They became illustrators. They took commercial jobs. They painted signs. They taught in universities. They bussed tables. They hawked their wares in art markets like New York or Paris or London. Columbus was far from those vibrant art centers. The question was, how do you make a living in your own hometown, doing what you love and are trained to do?

The Pound name, here in Columbus, already had a distinctly arty flavor to it. I need to thank my parents for that. During my first year in graduate school, I came home and went to lunch with my mother. We went to a popular deli on Wynnton Road called the Vintner, run by John Page. He had twin girls, about two years old at the time and cute. I told John I would draw the twins for free if he would hang their portrait behind the cash register. All he had to do was pass on my phone number to anyone who asked. I did the portrait, hung it at the deli, and by the time I got home there were about five commission requests waiting on my answering machine. That was what I built my professional career on. “From less is great art born.”

Why do you think that art scene in Columbus is so strong these days? Columbus has a great art scene because of our creative spirit and the great and noble patrons of the arts. They donate to arts institutions, participate in cultural events, purchase artworks, create collections, and encourage artists. Our arts patrons are too many to name, but they are the usual suspects—you would recognize them. They are the same people who also had their hand in saving the Springer, building the Rivercenter, supporting and expanding the University, and so on. Our town has truly been blessed through the years with big-hearted people who take delight in and are committed to creativity, to fine arts, to education, and to a better community.

How would you define success? Nowadays, I find a measure of fulfillment in just being able to pay the bills, provide a comfortable home for my family, and, of course, make my wife Mamie happy.

The real secret to being an artist is that you do it every day. It is a job with its own routines. Nothing takes the place of persistence and determination. Talent and even genius will not make an artist of the guy who won’t work until struck by the lightning bolt of inspiration. Creativity is a habit and a discipline, the best creativity being the product of good work habits.

What is your goal as an artist? Every artist aspires to be productive, authentic, and leave his mark on the world. Bach said the purpose of art “should be the glory of God and the recreation of the human spirit.” That’s it in a nutshell. It is harder to find a better purpose in life than the pursuit of higher consciousness and trying to contribute some joy to this world. Of course, making a living is nothing. The big thing is making a point, making a difference. SVM

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Chef Vera Stewart

Vera Stewart, of VeryVera, is a culinary crackerjack whose expertise includes an in-demand catering business, a syndicated television show (which airs on WRBL in Columbus), and a franchised children’s cooking camp. She spoke to SVM about her beginnings, her new cookbook and how to encourage the younger generation to fall in love with cooking.

By Marla Caligaris

Photos By Peter Frank Edwards

Vera Stewart has become recognized in the Southeast for her Southern cooking show, entrepreneurial nature, well-designed and beautifully presented catering jobs. Vera will be in Columbus on May 19th at the Galleria to present the release of The VeryVera Cookbook—Recipes from my table.

When growing up, what inspired you to venture into the food business? As a young girl, it was instilled in me to do my best and prepare to attend college. It wasn’t until my senior year of high school that I began to think about what I should study once I was in college. My home- room teacher that year, Catherine Dupree, was the Home Economics teacher and she always seemed to be engaged in interesting projects when I arrived at school. I looked forward to arriving to school each day, primarily to see what she was doing, not necessarily for the other subjects. She was a great mentor to me and encouraged me to go to The University of Georgia and major in Home Economics

The VeryVera cookbook: Recipes From My Table, will be officially released on April 17th. Tell us about this book. The cookbook has been on my mind for many, many years. As a former Home Economics teacher, caterer and mail-order food business entrepreneur, my love for food, recipes, preparation and presentation always fascinated me. It took me this long into my career to write the book because my retail business was overwhelming. There was never any down time to get the project off the ground. Once I closed my retail operation in 2013, I started giving the book considerably more time. And, with the assistance of a great small team, we made the dream a reality.

The book has 78 recipes, all of which we sold through our VeryVera brand. Most remarkable are the layer cakes that have been editorialized in some of the most prominent magazines and the familiar favorites that were enjoyed by mail-order customers from coast-to-coast.

What’s your favorite go-to ingredient? One of my favorite ingredients is Heinz Chili Sauce. Whether it’s adding moisture and spice to hamburger patties, marinating a piece of salmon or concocting a great salad dressing...this stuff is magic!!!

How are you getting the younger generation involved with the love of cooking? The VeryVera Cooking Camp will be 15 years old this summer. We have grown from 12 students in 2004 to 216 for the six week Augusta area camp. We completed our franchise model in early 2017 and had our first camp franchises in Aiken, SC and Columbus, GA last summer. Columbus’ camp was conducted by Melissa and Jamie Keating at the River Mill Center. This summer, camp will also be held in Macon, Charleston and Indianapolis. Our camp’s mission statement is: “To develop culinary skills, etiquette and a sense of home economics for the next generation."

What kind of products do you sell via your mail order business? The mail order business closed in July 2013. Through that business, we sold all of the recipes that are part of The VeryVera Cookbook. You could plan a week’s worth of meals or an entire holiday weekend and we would ship right to your door! Now, you can enjoy those favorites by preparing the recipes from The VeryVera Cookbook.

The Very Vera Show is currently in its 6th season and can be viewed locally on WRBL. Tell us about the show’s concept. The Very- Vera Show is a cooking and lifestyle show that showcases my passion for Southern inspired recipes, easy go-to tips for planning, preparation and presentation ideas, which give excitement back to the most ordinary menu. With special guests and generous give-a-ways, The VeryVera Show has something for almost every member of the family. We ended season 6 in 8 Southeast TV markets and are hopeful to add more in season 7. My passion for people and enthusiasm for my craft has kept the show growing and fans following. SVM

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ELIZABETH MARTIN

Elizabeth Martin, a Brookstone graduate, moved from Atlanta, Georgia to Manhattan in the Summer of 2013 with the hopes of starting her own lighting line. New York proved to welcome new designers with open arms. She was continually encouraged to keep moving forward and today she is the proud owner of Sullivan + Phenix.  By Anna Logan. Photos by Nathan Leduc.

Elizabeth Martin packed her bags and headed to New York City when she was 29. Interested in starting a new career and adventurous life in the city, Elizabeth went to work at a high-end home store in the heart of Soho. The Brookstone grad's position at Calypso St. Barth Home allowed her to explore her passion for interior design and work personally with top designers. During her time there, Elizabeth was able to work on multiple projects within New York City and out in the Hamptons. She fell in love with lighting and was determined to learn more about chandeliers. She made another career move, this time to an international lighting showroom in Upper Manhattan. She was able to work with world famous hotel chains like W Hotels and The Ritz-Carlton. Yet, she still was not satisfied. Admittedly stubborn, Elizabeth didn't like the idea of working for anyone else. So, she struck out on her own and started her line of handmade, high-end chandeliers, Sullivan + Phenix. Elizabeth spoke to SVM about creating her own line, her inspirations and even offers some tips on how to decorate your home.
 

Even though you offered interior design assistance to clients at a high-end home store in downtown New York City, you transitioned into designing chandeliers. Why did you focus on them over anything else? Moving to New York was a bold move for me. I was 29, and indecisive about what direction I wanted to go career wise. The most exciting part of it all for me was that the world was my oyster. In New York, everything is about who you know when it comes to getting a job. Somehow, with the help of some friends, I landed interviews with a few of the top companies in New York City. As much as I tried to get excited about a position in the ritzy Upper East Side of Manhattan, at the end of the day it wasn’t my passion. Still searching for the niche that fit me best, I decided to take a job in Soho at a fabulous high-end home store there.
I fell in love with all of the beautiful chandeliers that we had hanging in the store. I started to brainstorm and realized that handmade chandeliers were somewhat of an untapped market. I have always wanted to work for myself, so it was there that my idea was born and I became determined to make my dream a reality.

How have you liked transitioning from working for other people in other jobs to creating your own line? Most everyone with a brain that is creative would tell you that we think and operate differently than most people. Truthfully, I can be a little stubborn and I have never really liked anyone to telling me what to do. Obviously this doesn’t work very well in the workplace; so being fortunate enough to work for myself was like a weight being lifted off of my shoulders. I am constantly coming up with ideas and dreaming of new designs for my chandeliers. I definitely have found my passion, and I think a creative outlet in life is one of the best things you can have in my opinion.

Sullivan + Phenix is such an interesting name, how did you come up with it? I really thought long and hard about what I wanted to name my company. I started making chandeliers in my Soho apartment in New York on Sullivan St, which is where the first part of the name comes from. Moving back home to Georgia after my time there was mostly to continue to pursue and grow my business. When I first moved back, I was making my chandeliers out of my apartment at the Eagle & Phenix Mills in Columbus. So the name is a combination of the start of my company in New York, and then the continuation of it when I moved.

What style would you say your chandelier line represents? I would say the line represents a traditional style with a touch of glam. I definitely have a girly side, so I think the pieces are very feminine as well. I have always loved gold, and I think that aspect also adds elegance to spaces where the chandeliers are hung. I like the idea of a timeless look, where clients will always love their pieces and they won’t become a fad that eventually goes out of style.

Who do you consider your greatest creative influences? I love designers who aren’t afraid to take risks. My favorite thing when I go into someone’s home are those “wow” pieces that almost make you gasp at how fabulous they are. This could be anything from a unique piece of art, to a pop of color in an unexpected place. I also love mixing different textures in a room. That said, I would have to say that Kelly Wearstler is definitely one of my greatest creative influences. Another would be my sister, Lulie Wallace! I cannot say enough about how much I admire her, and her work, and how far she has come in her career. She is definitely an inspiration to me, and I can only hope that one day I will flourish as much as she has over the years.

What’s the most important piece of advice for someone buying a chandelier for the first time? Well there are the basics, which are measuring and making sure that the chandelier is the right height and size for the room. Most of the larger chandeliers hang over your dining room table, and the smaller ones can go in bedrooms, powder rooms, and foyers. To me, a chandelier is a piece that people overlook when decorating a room. Most of the focus goes to furniture, curtains, and paint colors. I try to make chandeliers that make a statement. It is
like a piece of jewelry that is hanging in your home.

Your travels have taken you all over the world. Do you recommend any one destination over the others as a great place to buy home goods? I think that choosing a place to travel is specific to what exactly you are looking for. If you are more into traditional pieces, the flea market in Paris is a mecca of amazing antiques and all kinds of accessories for your home. This is on my bucket list for sure to spend as much time as possible scouring the market for one of a kind treasures. Two of my most recent trips were beyond amazing. The first one being to Morocco. I can’t even put into words the sensory overload that you experience in this North African country. I was beyond excited at the opportunity to get to explore everything that this place had to offer. The rugs there were unreal. I didn’t consider myself much of a rug person until I was able to flip through all of the handmade ones in the medina in Fez. Plus, the rugs are much less expensive than they are in the US. I have to admit, I smuggled 5 back home with me that were stuffed in a suitcase.

Last month, I traveled to Tulum, Mexico. This is an up and coming travel destination for young folks. Again, I was in awe at the market there, drooling mainly over the embroidered pillows, and the hand woven blankets. The next places on my list to travel would be India and Thailand.

Finally, which Sullivan + Phenix chandelier do you consider a must buy? I am a little biased because I am the designer, and I want my clients to love them all! The most popular pieces so far are the Laney, and the Riley chandeliers. Please stay tuned because there are some new pieces I am designing at the moment and more fun colors and shapes to come!

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RED HAT'S JIM WHITEHURST

Columbus native and former Brookstone graduate, Jim Whitehurst, is the Chief Executive Officer and President of Red Hat, Inc. the world’s first billion dollar open source software company.

By Roberto Caligaris

Jim Whitehurst, the President and CEO of Red Hat has had an interesting career to date. He was a consultant for a number of years, joined Delta Air Lines right around September 11, 2001, and played a big role in securing the future of that company as its Chief Operating Officer, and now is the President and CEO of Red Hat (NYSE: RHT), the world’s first billion dollar open source company.

You graduated from Brookstone in 1985. When did you first think, “I want to be an entrepreneur?” I started playing with computers early on. I got my first one, a KayPro II, when I was a sophomore in high school. I thought I would go to college, get a degree in computer science, and then start a business. In the end, I took a more traditional career track working first for a management consulting company, and then a major airline. I joined Red Hat about eight years ago. It’s a bit eerie that back in high school I aspired to run a cool software company someday. And now, after being well laid in traditional businesses for almost 20 years, here I am.

You’re a practitioner of “Open Organization”, and you actually wrote a book about it. Why is this concept so important to you? I think I’m so passionate about this way of running a business because I’m truly a convert. Before I joined Red Hat, I had the opportunity to attend a prestigious business school, work at a top-tier consulting firm, and lead a large, well-know public company. I thought I knew how to lead and manage. Then I came to Red Hat and learned that there is a better way – at least if you want to have an engaged, inspired workforce capable of true innovation.

You were one of the youngest COOs at Delta Air Lines, how was that experience for you? Looking back on it, I’m amazed they let me do it. I was 35 years old and the company was heading toward bankruptcy. However, working through that crisis has proven to be one of the most rewarding professional experiences I’ve ever had. I had the opportunity to learn what it takes to be a leader, to really guide and influence a company in a difficult time. But more than that, to watch people ban together during such a trying time to save an important institution in the South, to be a part of that, was something I’ll never forget. We refused to let Delta fail on our watch. Even today, I’m so proud of how all of us handled that situation. It really showed me what’s possible when people rally behind a common purpose and goal.

You are currently the President and CEO of Red Hat, the world’s first billion-dollar open source company. How did you start up the company, and who are some of the companies who use your product? Bob Young and Marc Ewing originally founded Red Hat in 1993. When I joined in 2008, annual revenue was around $400 million. And if all goes according to plan, we will surpass the two billion dollar mark next year. Not everyone has heard of Red Hat, but you’re most likely using our technology every day. Our products power airline systems, banking networks, and underlie the majority of stock market equity trades. We count more than 90 percent of the Fortune 500 as customers as well as influential organizations such as Dream- Works, Sprint, and the New York Stock Exchange. We’re apart of the S&P 500, have close to 8,000 associates world, and were named one of the most innovative companies in the world by Forbes in 2015.

You have given many talks, including a TED talk, about the tech future and economic side. How important is this issue for those working in building new technology or investing? It’s hard to predict exactly how technology will impact business and society. But those that figure it out have an opportunity to build extraordinary businesses. For me, I already lead an extraordinary business. I am interested in this issue because I think technology has the potential to make the world a much better place. But that requires that leaders in many areas like business, government, and academia to carefully consider its impacts and steward their own organizations appropriately. My interest is more about making the world a better place for my kids and those who come after us. It’s a great privilege to be in a position to have at least a tiny bit of influence over that.

Is America still the land of opportunity? Absolutely. I have an opportunity to travel around the world every year. And while many other countries are building their own economic structures that create opportunities, I still believe the combination of the best legal system in the world, the strongest capital markets, fantastic universities, and a culture that tolerates – and even celebrates – risk-taking still makes America the best place for anyone to get ahead. That said, I do worry that too much money in politics, a tax system full of loopholes, and poor performing CEOs getting paid millions makes many people think the system is “rigged.” In some ways it is. That’s a major issue we need to address.

What’s something you miss about the South the most? Since I live in North Carolina, I think I still live in the South! It’s a little different. The North Carolina BBQ can’t compare, and the accent is a little off. Seriously, I think I benefited greatly from growing up in a town the size of Columbus. I think, or at least I hope, that I’m still a grounded person with strong values that I came from growing up in a community like Columbus. Durham, NC, where my family and I now live, is a bit bigger, but not much. And I am very happy to be able to raise my kids in a small city like that. svm

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